The One-Day Album?
Go to Great Magnet Recording's Official Website
Check Out a Sample of The Showoffs' Music
Go to The Showoffs' MySpace Page
The Showoffs are a mostly Berkeley-based punk band, though their drummer Steve lives up in my neck 'o' the woods and he found me on Craig's List.

Steve rockin' the kit
They had some limited financial resources, but since they were tight and it's punk rock I thought it would be great to record them live-in-the-studio and basically make an entire LP-length record in one day.

The string section

The combination of one green t-shirt, one purple guitar, and a vintage Menudo poster creates a nexxus of mystical rock power that can melt diamonds from several miles away.
We mostly succeeded as well, although as it turned out there was a bit of mixing backlash as a result.
The problem was, lacking a dedicated vocal booth adjoining the live room, I had Jess sing his parts right there in the same room with Steve raging away on his drum kit, and the bleed into the vocal mic kinda fucked up the mix later on down the road.

Jess rips into the vocal phatness on the SM7
It was a cardioid dynamic vocal mic—the mighty, mighty Sure SM7B—, which usually yields a pretty decent amount of off-axis rejection, but this mic in particular really does hear a lot of what's going on behind it...in this case the drums. It really is an amazing-sounding mic for punk vocals though.

View from the SkyCam
Sometimes using the bleed that gets into microphones as part of "the sound" actually works really well in a mix, but in this case it just turned everything to mush and created a bunch of phase issues. Some of the tracks we re-did the vocals in a second overdub session (as well as some additional guitar solos), and invariably those tracks came out a good bit better in the final mix.

Mixing hi-larity
Curently the Showoffs are sitting on this little experiment and figuring out if they wanna re-cut the vocals at my place or with somebody who knows what the fuck they're doing instead.

Mixing Secret #1: your girlfriend's Hello Kitty Slippers
Check Out a Sample of The Showoffs' Music
Go to The Showoffs' MySpace Page
The Showoffs are a mostly Berkeley-based punk band, though their drummer Steve lives up in my neck 'o' the woods and he found me on Craig's List.

Steve rockin' the kit
They had some limited financial resources, but since they were tight and it's punk rock I thought it would be great to record them live-in-the-studio and basically make an entire LP-length record in one day.
The string section

The combination of one green t-shirt, one purple guitar, and a vintage Menudo poster creates a nexxus of mystical rock power that can melt diamonds from several miles away.
We mostly succeeded as well, although as it turned out there was a bit of mixing backlash as a result.
The problem was, lacking a dedicated vocal booth adjoining the live room, I had Jess sing his parts right there in the same room with Steve raging away on his drum kit, and the bleed into the vocal mic kinda fucked up the mix later on down the road.
Jess rips into the vocal phatness on the SM7
It was a cardioid dynamic vocal mic—the mighty, mighty Sure SM7B—, which usually yields a pretty decent amount of off-axis rejection, but this mic in particular really does hear a lot of what's going on behind it...in this case the drums. It really is an amazing-sounding mic for punk vocals though.
View from the SkyCam
Sometimes using the bleed that gets into microphones as part of "the sound" actually works really well in a mix, but in this case it just turned everything to mush and created a bunch of phase issues. Some of the tracks we re-did the vocals in a second overdub session (as well as some additional guitar solos), and invariably those tracks came out a good bit better in the final mix.

Mixing hi-larity
Curently the Showoffs are sitting on this little experiment and figuring out if they wanna re-cut the vocals at my place or with somebody who knows what the fuck they're doing instead.

Mixing Secret #1: your girlfriend's Hello Kitty Slippers


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